Photo by Robert MillardTHE THEATRICAL DIMENSION Nearly a century separates the two beguilements installed at the Music Center
in recent weeks: Giuseppe Verdi’s Aida of the 1870s and Luciano Berio’s
Laborintus II of 1965. Nobody would mistake the style or purpose
of the one for the other; they are both shrewdly welded to the taste of their
respective times. [...]
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