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	<title>Comments on: Finishing&#160;Touches</title>
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		<title>By: CK Dexter Haven</title>
		<link>http://www.soiveheard.com/2009/05/finishing-touches/comment-page-1/#comment-48</link>
		<dc:creator>CK Dexter Haven</dc:creator>
		<pubDate>Fri, 05 Jun 2009 18:43:47 +0000</pubDate>
		<guid isPermaLink="false">http://soiveheard.com/?p=3049#comment-48</guid>
		<description>I find the Berio edits/completions to have various levels of enjoyability at first hearing.  Something like &quot;Contrapunctus XIX&quot; is pretty obviously Bach and therefore easier to digest, but most of the other stuff I try to appreciate (whether I like it or not) at face value as a Berio work inspired by Composer X.

On first hearing, I found &quot;Rendering&quot; interesting if not entirely compelling . . . Based on Alan&#039;s comments, I&#039;ll have to give it some more chances.</description>
		<content:encoded><![CDATA[<p>I find the Berio edits/completions to have various levels of enjoyability at first hearing.  Something like &#8220;Contrapunctus XIX&#8221; is pretty obviously Bach and therefore easier to digest, but most of the other stuff I try to appreciate (whether I like it or not) at face value as a Berio work inspired by Composer X.</p>
<p>On first hearing, I found &#8220;Rendering&#8221; interesting if not entirely compelling . . . Based on Alan&#8217;s comments, I&#8217;ll have to give it some more chances.</p>
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		<title>By: Alan Rich</title>
		<link>http://www.soiveheard.com/2009/05/finishing-touches/comment-page-1/#comment-47</link>
		<dc:creator>Alan Rich</dc:creator>
		<pubDate>Tue, 02 Jun 2009 00:00:20 +0000</pubDate>
		<guid isPermaLink="false">http://soiveheard.com/?p=3049#comment-47</guid>
		<description>That was my first reaction, but I grew to accept what Berio was trying to do: a kind of paraphrase-plus-commentary. He&#039;s done this before, in a big choral piece called &quot;Coro&quot; and in &quot;A-Ronne,&quot; a very wise piece for small vocal ensemble that&#039;s a sort of word-game. You&#039;ll probably recoil from his Monteverdi rewrites, too; I don&#039;t. I admire the quality of his mind.</description>
		<content:encoded><![CDATA[<p>That was my first reaction, but I grew to accept what Berio was trying to do: a kind of paraphrase-plus-commentary. He&#8217;s done this before, in a big choral piece called &#8220;Coro&#8221; and in &#8220;A-Ronne,&#8221; a very wise piece for small vocal ensemble that&#8217;s a sort of word-game. You&#8217;ll probably recoil from his Monteverdi rewrites, too; I don&#8217;t. I admire the quality of his mind.</p>
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		<title>By: DB</title>
		<link>http://www.soiveheard.com/2009/05/finishing-touches/comment-page-1/#comment-46</link>
		<dc:creator>DB</dc:creator>
		<pubDate>Mon, 01 Jun 2009 23:30:13 +0000</pubDate>
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		<description>A listening to the Berio left me with the very strong desire that he should dashed well keep his grubby hands off Schubert.</description>
		<content:encoded><![CDATA[<p>A listening to the Berio left me with the very strong desire that he should dashed well keep his grubby hands off Schubert.</p>
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